Tallchief grew up in Los Angeles, California where she studied ballet for many years. During her early career, in the 1940s, Tallchief danced with the Ballet Russe de Monte Carlo. It was also around this time that she became known professionally as Maria Tallchief, combining the two parts of her Indian name. In 1947, she became the first prima ballerina of the New York City Ballet—a title that she would hold for the next 13 years. That same year, Tallchief became the first American to dance with the Paris Opera Ballet. In addition to her work with the NYCB and Paris Opera Ballet, she was a guest performer with the American Ballet Theatre.
Around this same time, Tallchief met and became involved with the famed choreographer George Balanchine. The couple wed in 1946 and separated in 1951. While their marriage was short-lived, the two worked well together. After joining the New York City Ballet in 1948, Tallchief danced to Balanchine's choreography.
Maria Tallchief quickly became a popular figure in ballet, performing in productions such as Orpheus, Scotch Symphony, Miss Julie, Firebird and The Nutcracker (performing as Sugar Plum Fairy). She also created roles for Orpheus and Scotch Symphony, both choreographed by Balanchine, among other plays he choreographed. In addition to wide fame, Tallchief earned strong reviews from critics for her technical precision, musicality and strength.
In 1957, Tallchief married Henry Paschen. After the birth of their daughter, Elise, in 1959, Tallchief took some time away from ballet. She eagerly returned to the stage, working on several more productions until her retirement in 1965. Thereafter, she became a ballet instructor and began serving as artistic director for the Lyric Opera Ballet. Later, she founded and became artistic director of the Chicago City Ballet.
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